Here is how you can reduce the cost for a sharpening system that works very efficiently. I described the system in posts on 7/10/25 and 7/17/25.

First, let us look at the machine. My Tormek is more than 20 years old, with a 10” wheel. It cost too much but not nearly today’s approximately $1000 for a ten-inch wheel machine, and nearly $600 for an 8-inch.

I continue to recommend an 8” for practical purposes, and you can get this for about $100. I do not really need the leather wheel for most of my purposes but it is included in virtually all models that I have seen.

A CBN (cubic boron nitride) wheel is what I use and recommend. For the 8” diameter, 2” width is handier but not really necessary. And there is no need to spend about $400 on a diamond wheel! 

For about $130. the width is 1 1/2” width, which is quite sufficient. This is 180 grit, which is somewhere about 100µ. Mine is 200 grit, which is about 70 – 80µ. Both are fine.

Ok, we’re up to $230.

Now let’s look at the handwork expense.

As stated in the first explanatory post, I suggest a combo stone with about 45µ/9µ. I still like the Duo Sharp E/C. If you still want to save money, a similarly effective (I have tried it) 400/1200 diamond plate, 8” x 2 3/4”, costs about $20.

Now let’s look at the fine plates. You can pay about $70 for a Shapton Kuromaku 8000. I have used it for years and it is great. It is worth it. But if you want to keep the cost as low as you can, consider an alternative $22 #8000, but I do not know the quality because I have never tried it.

Now for the big expense, which is the finest stone. The Suehiro 20,000 0.5µ, which I have been using for years, is now about $265. The similarly fine Shapton is over $300. So, I suggest trying something that I have not, which is the Proyan 15,000, 0.64µ. It costs only about $46! See how it goes. 

To refine the edge even better, you can add quick work with a 1/4µ and even 1/8µ synthetic diamond compound on a leather plate. (This is discussed at the 7/17/2015 post.) Small cups that last a long time are $16 each.

Ok, let’s add it up:

$100 + $130 + $20 + $70 + try the $46 +$32 = $398 for the whole caboodle.

Of course, you know that Amazon will take you through. 

That is not too bad for an excellent system that I recommend. A family restaurant dinner may be more and won’t last as long. 

This is comfortable, fast work, and very effective. 

Several years ago I wrote more than 60 lengthy posts for a crafts instruction site called Craftsy. Woodworking was only a small part of their business, which dealt mostly in knitting, cake decorating, sewing, and so forth. Craftsy has since changed hands, first acquired by NBC Universal who called it Bluprint, at then by its present owner, TN Marketing, who returned it to the Craftsy name. It appears they are no longer actively involved in woodworking. 

Nine of the posts that I wrote were assembled into a 43-page “Dovetail Guide,” which was available for free as a downloadable PDF. This was (if I don’t say so meself) a very useful, at-the-bench instruction guide for cutting dovetails, helpful for beginners to experienced woodworkers alike. It covers the hands-on things you need to know in an intimate way that few other sources do. “From the sawdust and shavings at my bench,” as I say. 

The link to the PDF disappeared in the corporate shuffle and has not returned as of now, despite my requests. Many readers have contacted me looking for the Guide. 

Good news: the links to the original nine posts are available at this writing. So, you can get all of the information in the guide but you have to click on nine different links. If you are interested, I suggest you get a hold of this soon because it would not surprise me if it also gets lost in the corporate shuffle. 

Here are the links to the nine sections of Rob’s Dovetail Guide, in order, labeled by topic. Each will open in its own tab.)

1. Essential tools for dovetail joinery

2. Stock preparation and marking out a dovetail joint

3. How to saw dovetails – accurately!

4. Chop the waste with good chisel technique

5. Marking the pins from the tails

6. How to saw and chop the pins

7. Fitting the joint together

8. Assembling and gluing

9. Fixing errors and finishing up (Introducing the Woodshop Spy Cam)

The guide covers through dovetails but the skills are directly applicable to all variants of dovetail joinery.

My goal is simple: to help you experience the joy of our craft and the fulfillment of creativity. If you do use the Dovetail Guide, drop a comment or email me and let me know how it has worked for you or if you have questions. 

Author Brendan Bernhardt Gaffney has produced a biography of James Krenov that anyone even slightly interested in the subject will want to read. For those for whom Krenov has been a major influence, and there are so very many woodworkers, including me, in this group, this book is a must-read. 

The depth, breadth, and detail of the research demonstrated in this book are truly impressive. As the author states, it “spanned four continents, six languages and hundreds of interviews” and “thousands of hours.” Even if you have already read, as I have, all of Krenov’s books and lots of related articles and interviews, this book presents vastly more. It is fair to say that you do not know Krenov until you have read this book.

Rather than overwhelming the reader with this mountain of information, Brendan does a wonderfully intelligent job of organizing for the reader the rather complex life of James Krenov. This has helped me further understand the many influences on the development of his craft and what drove him. 

No hagiography, this book does not shy away from uncovering the less pleasant, or at least more difficult to understand, aspects of Krenov. Showing the subject as a real person rather than an icon makes for a much more powerful biography. Along with this, Brendan seems thoughtfully aware of how his relationship to Krenov’s work and teaching can influence his role as biographer. 

I will mention a few quibbles. In some areas, I think the writing and factual accounts could have been made more compact, while it would have also helped me if some of the life landmarks were restated. I suggest for a future edition to add a two-page layout of a timeline of the subject’s life to guide the reader. I also found myself confused by the overuse, in my opinion, of semicolons. 

The best compliment I can pay is this. As Brendan presents all of Krenov – his genius, his contradictions, and the remarkable patchwork of his life – he offers mature, judicious insights into how the many elements relate. Yet, he does this sparingly and modestly, leaving the reader plenty of room to draw his own inferences about Krenov. Moreover, the sheer thoroughness of the book equips you to do that. This is a fine line to walk and Brendan hits it just right.  

One more thing: one evidence of the artistry with which Brendan has approached this work is on pages 248-249. There, facing pictures of James Krenov with a book in his lap as a studious-looking boy in Alaska and as an old man with an easy smile in California bring to mind the uncertainty and beauty of life’s journey. A “quiet joy,” of which Krenov spoke, after all. 

The book is beautifully published by Lost Art Press. 

At his Evenfall Studios in Paradise, California, Rob Hanson had been producing top quality shooting boards, jigs, and shop fixtures for the past ten years. Rob is a craftsman, a businessman and a builder, and yet almost unimaginable destruction has entered his life. On November 8, his home and shop, 35 years in the making, were devastated by wildfire. The photo above is what is left of his home and shop.

Rob has written accounts: leading up to the destruction, the aftermath, and how it is.

Rob and his wife Kristy could really use your help. Dear Heartwood readers, please consider, on this Thanksgiving Day, helping them through this tough time by contributing via GoFundMe or Paypal. Every little bit will help in body and spirit.

Let us all be grateful that we can build, and that we can also help others to build, and as life sometimes requires, rebuild.

Thank you.

I will be teaching a class, Handplanes: Understanding, Using, and Tuning, this coming Sunday, November 4, 2018, 10:00AM – 3:00 PM, at the Woodcraft in Woburn, MA.

This class will equip you with understanding and skills to directly apply to using handplanes in your shop. Sure, I’ll cover the basics but we’re going to drill down way beyond that so you will really know what you’re doing with handplanes. Among the areas we’ll cover:

• Understanding bevel-down and bevel-up designs
• Tuning your plane: blade edge camber for different uses, mouth opening, preparing and setting the chipbreaker, etc.
• How to use the interactions among attack angle, chipbreaker settings (or no chipbreaker), mouth opening, and skewing the plane to get the performance you want
• What’s really happening with blade edge wear
• Blade steel differences
• Planing technique – hands and body
• The quality features that matter in new and used planes
• How to intelligently sort among the many options in jack, jointer, smoothing, and scrub planes

Bring your plane if available, as this class will be hands-on as well as demonstration. If you have a plane in need of rehab, bring that too – I’ll choose one from the group and fix it up.

This class has been very well received in the past. In fact, a past attendee recently commented, “I took this course several years ago and it changed my woodworking.”

Please call the store directly at 781-935-6414 to register, and see their website for the location and details. You’re welcome to email me directly with questions. It would be great to see you there!

And the topic is: WOOD!

You must understand wood to successfully make things out of it. I will present this 5-hour class at the Woodcraft in Walpole, MA (about 10 miles southwest of Boston) on Sunday, September 9, 2018 from 10:00AM – 3:30PM. You will be equipped with the practical knowledge to use wood intelligently to maximize the quality of your projects and avoid the pitfalls that lead to disappointment.

In the woodworking instruction sphere, there are very few classes available on understanding wood, and most of those are small parts of much more extensive general woodworking courses. This freestanding, concise class is a great way to get the know-how you need. The store has an excellent teaching facility.

Go to this link and scroll down to September 9 to get sign-up details.

Among the areas we’ll cover:

• From log to board: Come to really understand grain and figure. Learn to astutely use figure to enhance your projects, especially curved work.
• Wood movement: We’ll cover practical understanding and applications, so this issue won’t catch you by surprise or riddle you with doubts. Try out pinless and pin moisture meters.
• Understand and see what really happens with resawing.
• How to buy and store wood. Spend wisely. How to spot and avoid defects in boards.
• Bring: your sharpened plane, card scraper, handsaw, and chisel/knife to make shavings and sawdust as you sample the working properties of 20 species of wood.

And I promise, the learning will be fun!

Available now is a new and bountiful collection of images of James Krenov’s work through many years, commentary on some of the pieces, videos, and other interesting materials.

The Krenov Archive is an important component of The Krenov Foundation’s mission to continue the legacy of James Krenov, his values, approaches to woodworking, and teaching. It is largely the work of David Welter, co-founder of The Krenov Foundation and a staff member at Krenov’s school for many years, Dave Matthews, Krenov’s son-in-law, and Kevin Shea. The archive will grow significantly beyond the rollout, so stay tuned.

Those familiar with the master’s work can better appreciate its breadth and further their insight by exploring the archive. I know Krenov’s books exhaustively, yet I’ve found plenty of valuable and interesting material to study in the archive. I particularly enjoy seeing the drawings and construction process photos. Those woodworkers and anyone who appreciates the craft who are new to all that is JK will also undoubtedly find this resource exciting and enriching.

Please consider supporting the Krenov Foundation. Read here on Heartwood for one easy way that I’d bet just about any woodworker can do! Your help will directly support and encourage young woodworkers in their journey in the craft we love. Ultimately, the fruition of their efforts will give more people the opportunity to experience the “quiet joy” of work “from wakened hands.” And that, dear readers of Heartwood, is a very good thing in a too noisy world.

Thank you,

Rob

You have some tools hanging around your shop that you don’t use or need. I know you do.

It’s inevitable. You’re a woodworker, so more times than you might care to admit, you’ve bought a tool that seemed so shiny and necessary at the time but now sits untouched. Maybe you’ve upgraded your chisels or backsaws, or maybe you’re downsizing to follow the trend of tool minimalism, but somehow there are unused tools in your shop.

And so readers, take a look around your shop and rescue those good but idle tools from their quiet detention. I respectfully ask you to consider giving them new purpose by donating them to the Krenov Foundation.

This organization’s stated mission is “to continue the legacy of James Krenov, his values, approach to woodworking, and teaching” as it “supports the art and craft of fine woodworking through scholarships, exhibitions, and developing an online archive of Krenov’s work.”

As for so many other woodworkers, the writing and work of James Krenov have been pivotal in forming my approach to the craft. Perhaps you often find yourself as I do, working in the shop as guiding words from A Cabinetmaker’s Notebook come to mind. In this spirit, I ask you to join me in supporting the Krenov Foundation.

At its helm is the Man of Steel himself, Ron Hock. It is based in Fort Bragg, CA, home of the Krenov School of Mendicino College, the evolution of the woodworking program established by JK in 1981. It takes only a sampling of the breathtaking work of its students to grasp the essence of the school.

By donating tools, you will be helping the next generation of woodworkers to experience and expand our beloved craft, in an age cluttered with anonymous ugliness. And “the Krenov Foundation is a nonprofit public benefit corporation organized under the Nonprofit Public Benefit Corporation Law for charitable purposes.”

Please contact them before sending your donation of tools to make sure they are suitable for their needs.

Thank you!