{"id":7177,"date":"2021-11-30T23:25:34","date_gmt":"2021-12-01T04:25:34","guid":{"rendered":"http:\/\/www.rpwoodwork.com\/blog\/?p=7177"},"modified":"2021-11-30T23:25:34","modified_gmt":"2021-12-01T04:25:34","slug":"is-it-worth-it-part-3","status":"publish","type":"post","link":"https:\/\/www.rpwoodwork.com\/blog\/2021\/11\/30\/is-it-worth-it-part-3\/","title":{"rendered":"Is it worth it? &#8211; part 3"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"357\" src=\"https:\/\/www.rpwoodwork.com\/blog\/wp-content\/uploads\/2021\/11\/IMG_5951_edited-2.jpg\" alt=\"resawn sapele\" class=\"wp-image-7182\" srcset=\"https:\/\/www.rpwoodwork.com\/blog\/wp-content\/uploads\/2021\/11\/IMG_5951_edited-2.jpg 570w, https:\/\/www.rpwoodwork.com\/blog\/wp-content\/uploads\/2021\/11\/IMG_5951_edited-2-150x94.jpg 150w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure><\/div>\n\n\n\n<p>Even at this point, I often make small refinements in the design, mostly to make the proportions look good. I also may add features, such as edge treatments. This is small stuff that I do sweat. I am aiming for a certain peace and balance that will make the piece of furniture be <strong>interesting at several levels<\/strong>, and ironically, even fascinating.<\/p>\n\n\n\n<p>However, all of this has to be put into the language of <strong>wood<\/strong>. The goal is to make something out of wood, not to just make a nice looking drawing on paper. Sometimes as I gradually get the oversized components out of the rough stock, the wood itself will suggest subtle alterations in the design, so it&#8217;s back to the drawing board yet again.\u00a0<\/p>\n\n\n\n<p>I think of the<strong> wood<\/strong> early on in the design process. In fact, I really do not even think of a design in the abstract at all, but instead see it from the beginning as being in a particular wood or at least narrowed to a few possibilities for the wood.<\/p>\n\n\n\n<p>So there is an <strong>ongoing interplay<\/strong> among the drawings, the wood, and my imagination.<\/p>\n\n\n\n<p>Now, when the mental dust has settled and sawdust will take its place, I want the wood to be <strong>reliable<\/strong>. Oh, and you know where that goes, fellow woodworkers. Recall the words with which the late Professor Bruce Hoadley began his seminal book, <em>Understanding Wood<\/em>, &#8220;Wood comes from trees.&#8221; Its essential characteristics make it for good trees; it did not evolve for woodworking projects.\u00a0<\/p>\n\n\n\n<p>And so the gorgeous boards of quartersawn sapele that I took home for this project were destined to drive me nuts. I wrote about this a while ago in the post &#8220;<a href=\"https:\/\/www.rpwoodwork.com\/blog\/2020\/07\/31\/weird-wood-stresses-stress-me\/\" target=\"_blank\" rel=\"noreferrer noopener\">Weird wood stresses stress me<\/a>.&#8221;\u00a0<\/p>\n\n\n\n<p>This was an unusual, hopefully uniquely frustrating situation with the wood. The point here is that once we have settled on a design that drives us, that answers the question &#8220;Is it worth it?&#8221; strongly in the affirmative, <strong>uncertainty<\/strong> still lurks, starting with the first bite of the saw&#8217;s teeth into the rough lumber.\u00a0<\/p>\n\n\n\n<p>The recipients of our best work do not, in all likelihood, <strong>have any idea of this<\/strong>, especially if they are used to veneered particleboard ready-to-assemble &#8220;things&#8221; (see how civil I&#8217;m being). Still, as I pointed out in the first part of this series, these matters are not, and should not be, their problems.\u00a0<\/p>\n\n\n\n<p>Yet they are out problems, <strong>fellow woodworkers<\/strong>, and indeed we can usually solve them. So, I am not whining but once in a while, it is worth mentioning them, just among us. This is the uncool reality that is infrequently shared in print, but we ought to be able to say, &#8220;Oh, you too? That happens to you too?&#8221;<\/p>\n\n\n\n<p>N<strong>ext<\/strong> in this series: construction, detours, and, gasp, mistakes!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even at this point, I often make small refinements in the design, mostly to make the proportions look good. I also may add features, such as edge treatments. This is small stuff that I do sweat. I am aiming for a certain peace and balance that will make the piece of furniture be interesting at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[51],"class_list":["post-7177","post","type-post","status-publish","format-standard","hentry","category-ideas","tag-is-it-worth-it"],"_links":{"self":[{"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/posts\/7177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/comments?post=7177"}],"version-history":[{"count":7,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/posts\/7177\/revisions"}],"predecessor-version":[{"id":7185,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/posts\/7177\/revisions\/7185"}],"wp:attachment":[{"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/media?parent=7177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/categories?post=7177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rpwoodwork.com\/blog\/wp-json\/wp\/v2\/tags?post=7177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}