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	<title>
	Comments on: Long grain shooting	</title>
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	<link>https://www.rpwoodwork.com/blog/2019/10/31/long-grain-shooting/</link>
	<description>inside the woodshop</description>
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		<title>
		By: Pascal Teste		</title>
		<link>https://www.rpwoodwork.com/blog/2019/10/31/long-grain-shooting/#comment-385046</link>

		<dc:creator><![CDATA[Pascal Teste]]></dc:creator>
		<pubDate>Fri, 01 Nov 2019 22:52:12 +0000</pubDate>
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					<description><![CDATA[Simple and efficient I like it.  Looking forward to your next post.  Thank you!]]></description>
			<content:encoded><![CDATA[<p>Simple and efficient I like it.  Looking forward to your next post.  Thank you!</p>
]]></content:encoded>
		
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		<title>
		By: Don K		</title>
		<link>https://www.rpwoodwork.com/blog/2019/10/31/long-grain-shooting/#comment-384919</link>

		<dc:creator><![CDATA[Don K]]></dc:creator>
		<pubDate>Fri, 01 Nov 2019 13:35:23 +0000</pubDate>
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					<description><![CDATA[Luthiers do this all of the time, except with a lot thicker material (sometimes close to 2&quot; thick). Think of jointing a two-piece back and front of a double bass to appreciate that we have to get the surfaces perfect in order to have it seamless. I have several jigs that are used for violins, violas, cellos and basses. Your technique is exactly right.]]></description>
			<content:encoded><![CDATA[<p>Luthiers do this all of the time, except with a lot thicker material (sometimes close to 2&#8243; thick). Think of jointing a two-piece back and front of a double bass to appreciate that we have to get the surfaces perfect in order to have it seamless. I have several jigs that are used for violins, violas, cellos and basses. Your technique is exactly right.</p>
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